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In particular i focus on the ways in which the two novelists draw the distinction of value between real and pseudo art or kitsch. Broch regarded the parasitic feature of kitsch as its fundamental iniquity calling kitsch the enemy within he compared the difference between art and kitsch to the absolute schism between good and evil.



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This article examines the discourse on kitsch articulated by austrian novelists hermann broch 1886 1951 and robert musil 1880 1942 between 1930 and 1950.

Broch kitsch. The essence of kitsch consists of exchanging the ethical category with the aesthetic category. Academic kitsch critique surfaced in the 1920s and 30s disgracing architecture and music of unavoidable grandeur. Broch called kitsch the evil within the value system of artthat is if true art is good kitsch is evil.

While art was creative broch held that kitsch depended solely on plundering creative art by adopting formulas that seek to imitate it limiting itself to conventions and demanding a totalitarianism of those recognizable conventions. While art was creative broch held that kitsch depended solely on plundering creative art by adopting formulas that seek to imitate it limiting itself to conventions and demanding a totalitarianismof those recognizable conventions. Modernist writer hermann broch argues that the essence of kitsch is imitation.

Translation of kitsch as tape a laeil garish art is wholly inad equate first of all more disturbing since as hermann broch had noted one cannot work in any. Hermann broch the maker of kitsch does not create inferior art he is not an incompetent or a bungler he cannot be evaluated by aesthetic standards. Broch regarded the parasitic feature of kitsch as its fundamental iniquity calling kitsch the enemy within he compared the difference between art and kitsch to the absolute schism between good and evil.

Translation of kitsch as tape a laeil garish art is wholly inad equate first of all more disturbing since as hermann broch had noted one cannot work in any. Broch called kitsch the evil within the value system of artthat is if true art is good kitsch is evil. Witness tchaikovsky a kitsch of genius according to hermann broch or the finnish composer sibelius whose encounter with similar accusations seems to have birthed the fumbling with disharmony in his last symphonies.

Hermann broch the maker of kitsch does not create inferior art he is not an incompetent or a bungler he cannot be evaluated by aesthetic standards. Kitsch mimics its immediate predecessor with no regard to ethicsit aims to copy the beautiful not the good. The anti christ looks like christ acts and speaks like christ but is all the same lucifer.

I leave you with a few ideas from hermann broch who although he is better known for novels like the death of virgil and the sleepwalkers wrote some very provocative essays about art. The anti christ looks like christ acts and speaks like christ but is all the same lucifer.



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